Brooklyn Cop Essay

The horseshit appears to be a savage until now we atomic number 18 by and by made aw be of his underlying vulnerability. bleak Yorks reputation of violence and abhorrence leads to our aw arness of the pick ups idolatry of not returning radical to his wife. We are first made aware of the overcharges intimidating appearance in the first line, of the first stanza when MacCaig uses the simile built like gorilla. This gives us a real negative and animalistic idea of the military personnel, an enforcer, and or so a thug.This is reinforced with the parable, hieroglyphs in his calculate instead of eyes. We build a record of some ace who is very strong, brutish and passably sinister. MacCaig includes the element of humour by saying, unless less timid, this is also ironic, as gorillas arent re to daylightned for their timidity to begin with. We are advance made aware of the cops scourgeening appearance when the cop is described as being, steak coloured. This suggests th at the cop constantly looks enraged, due to the comparison to raw steak, which is twinkling(prenominal) red.A very important metaphor is created in the first stanza, which establishes the main root word of the poem he walks the sidewalk and the gauzy tissue over violence This leads us to believe that there is an underlying threat of violence in the cops persona, which implies that the cop is an unpredictable and perilous character. We now know why this man has to be so strong his world is one where, as the metaphor highlights, the thin facing of peace and civilisation is very slim and could easily be broken.MacCaig retains our interest by creating contrast in the cops persona in the first stanza. The stanza concludes with Norman MacCaig giving a more defenselessly view of the cop, by expressing the intimate kinship he shares with his wife. He says, See you, baby as well as Hiya honey. We enkindle now almost think of him as a gentle giant, less of a brute. The word honey i s a margin of affection that shows both his love for his wife and his relief at coming home safely from his work.These conflicting parts of his spirit his brutal, animal-like side at work, and his tender caring side at home are revealed in these two contrasting lines and establish to the vivid description of the cop. We are further made aware of the cops vulnerable side when we are told, he hoped it, he truly hoped it. MacCaig uses repetition to gain our awareness of the cops fear of not returning home to his wife. In the last stanza, the poet shifts the image of the gorilla. No lifelong the powerful and dangerous animal, he has establish one of an endangered species who faces death or extermination at every highroad corner.Who would be him, gorilla with a he-goat whose home is a place he might, this time, never go back to? Norman MacCaig uses a rhetorical question, as he wants us all to consider the dangers this man faces on a daily terms The fact that every working day is a life threatening line for him is affluent throughout the poem, as is the fierce, intemperate and unyielding characteristics of this Brooklyn Cop, all of which are necessities in order for him to be able to forgather his duties.MacCaig questions the cops integrity in the last sentence of the poem, he asks yet another rhetorical question And who would be who have to be his victims? Here, MacCaig has used an rounded sentence structure. This last question is almost encoded, requiring the reader to think of all the implications, scarcely leaving us to make up our mind independently.